The Ladies who Lunch. Women at the Table without Their Husbands, XVIIth century
(after 1636), oil on wood,
D’après Abraham Bosse,
Musée national de la Renaissance, Écouen
Photo © RMN-Grand Palais (musée de la Renaissance,
château d’Écouen) / Mathieu Rabeau
Sèvres, France —A 16th century blown glass and gold-rimmed glass made in Venice, a knife and fork with coral handles for savoring fish, a teapot in the shape of an eggplant are just a few of the 1,000 objects on display in an exhibition just outside of Paris celebrating the French table arts. The show, being presented by the Musée national de céramique de Sèvres — the National Ceramic Museum in the upscale Parisian suburb of Sèvres, explores how gastronomy has been elevated to an art form in France from Antiquity through to the present day. The exhibition marks the 10th anniversary of the French Gastronomic Meal being listed on UNESCO’s List of Intangible World Heritage and the 280th anniversary of the Ceramic Museum/Manufacture which is also the national ceramic manufacture and was previously the royal manufacture. If you can’t come to France while the show is on or you are waiting for the museums to re-open, The Gourmet Gazette brings the show to you.
Bottle Cooler, 1680-1685, made from earthenware from the stannifère deposit,
Nevers, Décors according to Michel Dorigny and François Chauveau,
Sèvres – Manufacture et Musée nationaux,
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Daniel Arnaudet
Handout via The Gourmet Gazette
The objects on display emanate largely from the rich collection of the Ceramic Museum and from the Musée national Adrien Dubouché de Limoges, Limoges being one of the most celebrated porcelain manufacturing centers in the world. The Decorative Arts Museum in Paris has also participated in the elaboration of the exhibition while leading French luxury houses like Christofle, the silversmith, and Saint-Louis, the glass and crystal manufacturer, also lent objects for the exhibition. The federating theme of the show is gastronomy as it showcases the art of the French meals with its table arts, fare and the great French art of conversation. Plates, salt and pepper cellars, tea, coffee and chocolate services, menus, and works of art are just some of the objects and works that the visitor can take in. There are two fully set tables, one evoking a refined supper in the 17th century and another a turn of the 19th century Art Nouveau table.
Terrine holder in the shape of a turkey, 1748-1754, made from earthenware from the stannifère deposit, Manufacture of Paul Hannong, Strasbourg
Sèvres – Manufacture et Musée nationaux
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Tony Querrec
Handout via The Gourmet Gazette
The show opens up with a look at gourmet dining in Antiquity showcasing the recipe’s of the Roman chef, writer and poet Apicius and the cold cuts and meats of the Gauls. The meal, which back then could feature foie gras from geese that had been fed exclusively on figs, was one of the occasions that brought the Gauls and Romans together. Peacock was a key dish back in the Middle Ages while the 16th century was marked by finds from the New World like tomatoes, potatoes, chocolate and roast Turkey which was served at the wedding banquet of Henry IV. The 17th century ushered in French table service, a succession of dishes, which is still a highlight of a true French meal, gastronomic or not, today. The 18th century Age of Enlightenment saw the introduction of sauce boats, mustard pots and butter dishes. A highlight of the 18th century part of the show is a dessert table luxuriously appointed with Sèvres porcelain whose disposition also demonstrates the new taste for privacy while dining. The 19th century was marked by the opening of restaurants accessible to the growing bourgeoise and the arrival of the first « star » chefs like Auguste Escoffier, whose cookbooks are still studied by chefs today. The gastronomic meal is still a part of French culture today as are the table arts. The Sèvres Bleu Elysées table service was used for the G7 dinner in Biarritz in 2019. The exhibition is slated to move onto the Musée national Adrien Dubouché de Limoges from June 23rd through to November 1st.©The Gourmet Gazette Through to June 6th at the Sèvres – Manufacture et Musée nationaux 2, place de la Manufacture 92310 Sèvres +33 (0) 1 46 29 22 05http://www.sevresciteceramique.fr
Dining with the French: A Gourmet Gazette Slide Show
An illustration of the exhibition, 2020.
Nicolas Buffe,
© Nicolas Buffe. Handout via The Gourmet Gazette
A double salt cellar called L’Amour timbalier, 1773, hard paste porcelain,
Manufacture royale de Sèvres,
Under the Direction of Louis Simon Boizot,
Henry Martin Prévost l’aîné (gilder)
Sèvres – Manufacture et Musée nationaux,
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Martine Beck-Coppola
Handout via The Gourmet Gazette
Covered goblet and saucer, 1770, soft-paste porcelain,
Manufacture royale de Sèvres,
Sèvres – Manufacture et Musée nationaux,
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Martine Beck-Coppola
Handout via The Gourmet Gazette
The eggplant tea pot, 1981, stoneware and brass,
Manufacture nationale de Sèvres,
Adrian Saxe,
Sèvres – Manufacture et Musée nationaux,
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Stéphane Maréchalle
Handout via The Gourmet Gazette
From the table service of Madame du Barry, the Mistress of Louis XV. Dish for serving an « ordinary » oille, a French stew or soup and
tray, 1771, soft-paste porcelain,
Manufacture royale de Sèvres,
Jean Jacques Pierre jeune (painter)
Sèvres – Manufacture et Musée nationaux,
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Tony Querrec
Handout via The Gourmet Gazette
Terrine holder in the shape of a turkey, 1748-1754, made from earthenware from the stannifère deposit, Manufacture of Paul Hannong, Strasbourg
Sèvres – Manufacture et Musée nationaux
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Tony Querrec
Handout via The Gourmet Gazette
An overview of the exhibition
Photo © Pascal Rostain / Sèvres – Manufacture et Musée
nationaux
Handout via The Gourmet Gazette
Fish knife and fork, coral handles, 1900, silver
and coral,
Christofle,
Ernest Cardeilhac (silversmith), Lucien Bonvallet (artist),
Maison Christofle, France
Photo © Patrimoine Christofle
Handout via The Gourmet Gazette
An epergne or table decoration depicting a scarf game, 1899-1900, hard-paste porcelain,
Manufacture nationale de Sèvres,
Léonard Agathon Van Weydevelde known as Agathon Léonard,
Sèvres – Manufacture et Musée nationaux,
Photo © Hervé Lewandowski / Sèvres – Manufacture et
Musée nationaux
Handout via The Gourmet Gazette
Bottle Cooler, 1680-1685, made from earthenware from the stannifère deposit,
Nevers, Décors according to Michel Dorigny and François Chauveau,
Sèvres – Manufacture et Musée nationaux,
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Daniel Arnaudet
Handout via The Gourmet Gazette
The Ladies who Lunch. Women at the Table without Their Husbands, XVIIth century
(after 1636), oil on wood,
D’après Abraham Bosse,
Musée national de la Renaissance, Écouen
Photo © RMN-Grand Palais (musée de la Renaissance,
château d’Écouen) / Mathieu Rabeau
Stemmed glass or chalice, 1520-1550, colorless blown glass with gilding, Venice,
Sèvres – Manufacture et Musée nationaux,
Photo © RMN-Grand Palais (Sèvres – Manufacture et musée
nationaux) / Thierry Ollivier
Handout via The Gourmet Gazette
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Tagged as: art , Ceramic Museum , ceramics , culture , dining , exhibition , fare , food , France , gastronomic meal , gastronomy , gourmet , Gourmet Fair , Gourmet Fare , history , luxury , meal , museum , Paris , porcelain , Sèvres , Sèvres - Manufacture et Musée nationaux , slide show , table arts , table service , table sets , The Gourmet Gazette , UNESCO List of Intangible World Heritage